Wednesday, October 13, 2010
A Noboru Aota Fan's Notes has taken a brief hiatus but will be back soon with all new material and the conclusion to the 1958 St. Louis Cardinals Tour coverage. In the meantime, check out the new card created at The Infinite Baseball Card Set by Gary Cieradkowski and read all about the 1935 tour.
Friday, June 25, 2010
Thursday, May 20, 2010
Yasushi Kodama and Toshitake Nakayama (above) were both good pitchers for the always-a-bridesmaid Dragons teams of the late 50's, and, apparently, not enemies. The greatest of winners are not always the greatest of friends, and vice versa- but, for a short time, they had both it seems. Both Kodama and Nakayama had at least one twenty win season, but in 1959, the luck tipped in one direction.
According to Japan Baseball Daily, after Yasushi Kodama (or Soratani, as it has been spelled/translated as well [above, right]) won it all in the Koshien tournament, a bidding war broke out amongst the pro teams. He went to Dragons, which is not the usual outcome (most of these things end up with the Yomiuri Giants coming out on top), and pitched without pizazz in 28 games for Chunichi in 1954. He did, though, help them in some way make it to the Japan Series that year, and wound up getting on the mound for 1 inning (he struck out 2 of the 3 batters he faced).
The following year he was joined by Nakayama (also a Koshien winner [above, left]), who would find success much sooner than Kodama- after a rocky rookie season, he had two consecutive 20 win seasons. In those years ('56 and '57) he struck out 496 batters (combined) and had WHIP's of 1.05 and 0.99, respectively. However, the 570 or so innings he pitched wore down his arm (a bi-product of the overall pitching philosophy of that time), and by the next season he was losing more than he was winning, with an inflated ERA and WHIP.
By the time Kodama found his groove in 1959, the two time All-Star Nakayama was completely burned out. The friends that year shared the number 20- Kodama would win that many for the only time in his career, and Nakayama would lose the same, with a sad record of 9-20.
Despite his friends success that season, Nakayama joined an elite club of 20 game losers in the history of Japanese professional baseball (sixty-two overall) that, while not matching or mirroring the losers of the American Major Leagues, illustrates the common bond between winners and losers in baseball.
There have been 482 MLB twenty-loss seasons but only one since 1980 (Mike Maroth lost 21 in 2003 for the Tigers), as well as fifty 30 or more loss seasons, none of which was in the 20th cent. The record for the 20th cent. belongs to Vic Willis with 29, though the more modern records belong to Paul Derringer (with 27 in 1933) & Roger Craig (with 24 for the '62 Mets).
No NPB players have 30 losses in a season, but 62 have put together 92 twenty-loss seasons. All of those seasons with 26 or more losses occurred between 1940 and 1957- a trend that shows how much later teams in Japan continued to "get the most out of" their pitchers (though this also most likely a bi-product of the late founding of professional baseball in Japan- a full 60 years after MLB).
The first to lose 20 games was Toshihide Hatafuku in 1938, and the last was Osamu Higashio in 1977 (he is also the most recent pitcher to be inducted to the Hall). In fact, the most consistent 20-game losers are some of the greatest in the history of the game. Only four pitchers have lost 20 or more in at least four seasons (and one, Masaichi Kaneda, did it six times- though he is the all time leader in both wins and losses), and all but one are Hall of Famers (Yasuo Yonekawa being the lone exception).
Yasuo Yonekawa (left) can boast of three 20 win seasons to counter his losses, and his 132-142 lifetime record overshadows his excellence as a pitcher. His 2.81 ERA was the 9th best of all time at the time of his retirement, and he was a 4 time all-star with 1346 K's (enough to put him in the top 10 at the time of retirement as well). He is a step or two away from being on the doorstep of the Hall of Fame, but his career success is much more impressive than his .481 winning percentage.
These figures says a lot about the history of the game- for decades pitchers were used and abused, arms were destroyed and innings racked up. Top that off with few relievers and not a lot of run support. Speaking of the '58 All-Japan team (see the April 25 post on this blog), it was Inao who won the (first) of two games, after a season during which he pitched 373 innings, notched the second of three straight 30-win seasons, and single-handedly corralled the Japan series by winning the last four games while working 47 series innings. They did call him the Iron Man, but that mentality was not outside the norm.
Loss is something we all fear at some point, and it occasionally provides the imputus for seeking out friendships. But loss is just a part of winning, as we see here, and friendship, and everything else.
A Noboru Aota Fan's Notes recently featured a short piece on Takumi Otomo in a larger article on . He was the key man in the rotation for Shigeru Mizuhara's Yomiuri juggernaut of the mid-50's. While perusing Jim Albright's excellent analysis of baseball in Japan, we came across more support for the Otomo-for-the-Hall argument.
Otomo is listed as the number six best player in the Central League during the 50's, but more impressive is Albright's application of Fibonacci win points to Otomo's career. He comes out as the number 22 pitcher of all time, surrounded by Yutaka Enatsu, Choji Murata and Juzo Sanada.
Though Albright does not provide and outright endorsement for his Hall candidacy (one argument- his career is too short), but, at least, it shows that Otomo needs to be in the conversation more than he has.
Kim Young Joong
Coming soon is part II of our coverage of the 1958 tour of Japan by the St. Louis Cardinals. Part II will feature not only the stars of the Central League who made the cut for the All-Japan team that took on the Cards, but also a series of articles written by Jim Brosnan for the St. Louis Post Dispatch about the tour. Though the majority of that tour took place in Japan, it began in Hawaii and quickly moved through South-Eastern Asia before landing in the Land of the Rising Sun.
One such stop was in Seoul, South Korea (after making a brief appearance in Japan)- Brosnan comments on the poverty that greeted them and guilt felt by some of the players for passing through in their grandeur (modest, of course, by today's ballplayers means). He also points out a story of heroics equal to that of Eiji Sawamura in the story of Kim Young Joong. Described only as a "Korean major", Joong struck out the great Stan Musial to the roar of the crowd. According to Brosnan, "he caused Synghman Rhee, the Korean president, to leave the park. That little pitcher could have run for mayor."
Does anyone know any more on Joong, or if he ever went on to pitch professionally? If there is any info on Joong out there please contact and enlighten us!
Coming soon, more on the tour and the articles in the Post Dispatch (see below- a welcome to the Cards from a Japanese paper, clipped and sent by a young guide to the team [Kazuyooi Aoki] and published in the Post Dispatch).
Special Thanks to the St. Louis Public Library Special Collections for their excellent help in finding this material and making it available.!
Thursday, May 13, 2010
Sunday, April 25, 2010
In the next year or so, Rob Fitts will be releasing a book chronicling the American baseball tours of Japan in 1931 and 1934. These influential tours not only inspired the formation of the Japanese pro league, but also set the standard for further tours of Japan by American ballplayers. By the 50's, the touring teams were made up of a single team as opposed to barnstorming all-stars- below is a list of the teams to tour Japan in the 50's, beginning with the famous Seals tour of 1949.
San Francisco Seals 1949
Major League All Stars 1951
Eddie Lopat All Stars 1953
New York Giants 1953
New York Yankees 1955
Brooklyn Dodgers 1956
St. Louis Cardinals 1958
After ten years of New York all-stars, the Cardinals tour of '58 stands out. They played 16 games all throughout Japan, all against a Japanese all-star team (as opposed to just playing the Yomiuri Giants, who had been the usual competition). Sure, St. Louis had Stan Musial and gang, but they were really a team of more ordinary players up against the best Japan had to offer.
Invited by Ysetsuo Higa, the Cards brought with them approximately 50 people, led by Bing Devine (GM), Art Routzong (business manager) and newly appointed manager Solly Hemus. On October 10 the left for the Pacific and headed straight to Hawaii (where they faced an all-star team that included Eddie Matthews, Lew Burdette and Bob Turley) before moving around the Pacific Rim into Japan. Below is the itinerary:
Oct. 11 Kahului, T.H.
Oct. 12 Honolulu, T.H.
Oct. 13 Honolulu T.H.
Oct. 18 Manila P.I.
Oct. 19 Kadena AFB Ok.
Oct. 21 Seoul Korea
Oct. 24 Tokyo
Oct. 26 Tokyo
Oct. 27 Sendai
Oct. 28 Sapporo
Oct. 30 Nagoya
Nov. 2 Nishinomiya
Nov. 3 Osaka
Nov. 4 Osaka
Nov. 6 Hiroshima
Nov. 8 Fukuoka
Nov. 9 Shimonoseki
Nov. 12 Shizuoku
Nov. 15 Tokyo
Nov. 16 Tokyo (a.m. and p.m. games)
Musial did not joint the team until arriving in Japan, and he felt he disappointed the Japanese fans with his performance- though he hit over .300 he knocked only two out of the park. What really impressed the Hall of Famer was the fact that the Central and Pacific leagues had decided to put together an all-star team with the hopes of, as Musial said, 'winning 5 of the 16' games against them. (He was also impressed with the control of the NPB pitchers, but not so much with their hustle, or lack-there-of.)
The resulting Japanese all-star team was saturated with the star-power of two golden ages of baseball in Japan, the post-war and V-9 eras. The team was centered around the Golden Boy, the rookie Nagashima, who was coming off a Rookie of the Year performance. However, they were stocked full of future Hall of Famers and superstars.
Led by the ever-competing managers, Osamu Mihara and Nobuyasu Mizuhara (whose mythically contentious relationship leads one to believe that there was little consensus on any decisions made during the series, even though they were managing on alternating days), the stars of 1958, all assembled, were a team to rival the 1934 all-star team for skill and legend. The Mainichi Shimbun, who had sponsored the tour, presented an overview in October of the players plucked from both the Central and Pacific Leagues- not too long after the Lions edged out the Giants in that famous Japan Series contest. The teams are listed as follows (players with an [H] are in the Hall of Fame):
Osamu Mihara 60 Lions [H]
Nobuasu Mizuhara 30 Giants [H]
Kazuhisa Inao Lions [H]
Tadashi Sugiura Hawks [H]
Matsuo Minagawa Hawks
Takao Kajimoto Braves [H]
Tetsuya Yoneda Braves [H]
Atsushi Aramaki Orions [H]
Masayuki Dobashi Flyers
Bill Nishida Flyers
Mamoru Otsu Pearls
Hiromi Wada Lions
Katsuya Nomura Hawks [H]
Takeshi Yamashita Braves
Futoshi Nakanishi Lions [H]
Yasumitsu Toyoda Lions [H]
Kingo Motoyashiki Braves
Roberto Barbon Braves
Takao Katsuragi Orions
Kihachi Enomoto Orions
Kiyoshi Sekiguchi Lions
Shigeo Hasegawa Hawks
Kohei Sugiyama Hawks
Kazuhiro Yamauchi Orions
Takao Yoto Orions
Shoichi Busujima Flyers
Jack Ladra Flyers
Motoji Fujita Giants [H]
Sho Horiuchi Giants
Masaaki Koyama Tigers [H]
Hiroomi Oyane Dragons
Toshio Nakayama Dragons
Shoichi Kaneda Swallows [H]
Motoichi Murata Swallows
Noboru Akiyama Whales [H]
Takashi Suzuki Whales
Shigeru Fujio Giants
Atsushi Doi Whales
Tesuji Kawakami Giants [H]
Tatsuro Hirooka Giants [H]
Shigeo Nagashima Giants [H]
Yoshio Yoshida Tigers [H]
Hideshi Miyake Tigers
Noboru Inoue Dragons
Atsushi Hakoda Swallows
Wally Yonamine Giants [H]
Andy Miyamoto Giants
Kenjiro Tamiya Tigers [H]
Atsushi Otsu Tigers
Toru Mori Dragons
Katsuji Morinaga Carp
There are 20 Hall of Famers on that list, but what stands out is all of the talent that has yet to be recognized by the Hall- some of the best players of the 50's. The Mainichi Shimbun preview featured short bios of each of the players to earn a spot on the team. Below is a look at those Pacific League Stars, with help from the Mainichi bios.
The Pacific League- Pitchers
To begin with, most of the pitchers from the Pacific League ended up in the Hall- only Otsu, Nishida, Minagawa and Dobashi remain un-recognized.
Matsuo Minagawa (pictured above) is obviously the most deserving- his lifetime record of 221-139, combined with a 2.42 ERA and 1.06 WHIP are evidence enough. However, he only won 20 games once (albeit with a record of 31-10), and was never recognized with a Sawamura award. The Card's tour was on the heels of his first superstar-like season: the Mainichi reports, A lanky fellow, he joined the Hawks immediately after leaving high school. This season, he ended up with 17 wins, eight losses. The righthander showed his finest pitching against the top teams- a real money player. He is a sidehand pitcher, specializing in terrific shoots.
Those terrific shoots helped earn Minagawa a spot with the aces of the Pacific League squad, and Masayuki Dobashi (left) wasn't far behind. Dobashi, who is described in the paper as the ace of the Flyers pitching staff, was discussed in our Hall of Fame post from earlier this year. The addition of Dobashi makes 7 Hall of Fame or near-hall-of-fame pitchers on the staff of the Pacific League side of the team
St. Louis got off to a good start in the first two games, but it was the the two aces from the Pacific League, Inao and Sugiura, who were able to beat St. Louis, by scores of 6-3 (Inao) and 9-2 (Sugiura) in the third and eighth games, respectively. However, the other fourteen belonged to the Cards (attendance in parentheses, Japan team wins in bold):
Oct. 24 Tokyo 5-2 (25,000)
Oct. 26 Tokyo 8-2 (20,000)
Oct. 27 Sendai 3-6 (25,000)
Oct. 28 Sapporo 9-1 (30,000)
Oct. 30 Nagoya 7-2 (20,000)
Nov. 2 Nishinomiya 6-1 (33,000)
Nov. 3 Osaka 6-3 (50,000)
Nov. 4 Osaka 2-9 (25,000)
Nov. 6 Hiroshima 6-3 (20,000)
Nov. 8 Fukuoka 5-1 (30,000)
Nov. 9 Shimonoseki 7-1 (20,000)
Nov. 12 Shizuoku 8-0 (20,000)
Nov. 13Mito 5-1 (20,000)
Nov. 15 Tokyo 9-2 (20,000)
Nov. 16 Tokyo (a.m.) 8-2 (40,000)
Nov. 16 Tokyo (p.m.) 4-2 (40,000)
The obvious star (from the Japanese perspective) of the entire 16 game tour came from the Central League- Rookie of the Year and future Mr. Baseball Shigeo Nagashima. However, the year before, though he had been the star of the Big-6 University league, his team captain at Rikkyo had been Kingo Motoyashiki (above, with Minoru Murayama, who would not make his debut until the following season), now the starting shortstop for the Pacific League Braves with a spot on the All-Japan team.
Kingo Motoyashiki was, according to the Mainichi, sold short by most experts before the  season opened. It was a poor prediction. He played in every game of the season for the Braves (the only one in the Pacific League to do so), and tied teammate Chico Barbon for the lead in triples with 10. His .260 average was respectable (helping him to score 49 runs), but it was his glove that really made him valuable. Always regarded as a brilliant fielder, he showed that he can hit in the pinches, too.
Motoyashiki (left) led all shortstops in the Pacific League in every category, and led all infielders in assists with 418. Only Barbon edged him out in putouts for middle infielders- with those two up the middle, the Braves generally were at the top of the league in terms of runs given up. However, they were also usually at the bottom in runs created, and during Motoyoshiki's tenure the team never won a pennant. He would continue to shine for Hankyu, earning two trips to the All-Star game, until 1964, when he moved to the Hanshin Tigers and helped them to the Japan Series. He joined Hall of Famer Yohio Yoshida to form a powerful plug up the middle, as well as add some stability to Hall of Fame Manager Sadayoshi Fujimoto's constant platooning- two changes that brought the Tigers to game seven of the Series, though they lost to MVP Joe Stanka in the end. Motoyoshiki got only three hits, and for the next five seasons saw less and less action. He eventually became a coach and broadcaster.
The other shortstop from the Pacific League was Takao Katsuragi. Nineteen-Fifty-Eight was his breakout season- to quote the Mainichi, One of the biggest news of Japan pro baseball this season has been the amazing performance of this rough and ready performer. At press time he was batting .306 and had slammed out 20 home runs beside showing remarkable improvement in fielding, a weak spot in other years. This year he was the Runs Batted In champion of the league.
Katsuragi (right) had been stellar at 3rd base for the Orions in 1957, leading all third sackers in assists and double plays as well as hitting for the cycle in August, but he was moved to short for the '58 season. Though he held his own in the field, his offense picked up, leading the league in hits and rbi (as he would do again in '59), and he was voted to the Best 9 for the first of two consecutive years. He was a 5 time All-Star, and his 174 lifetime home runs are high on the list for those that spent their careers in the middle infield.
The games were well attended in Japan (a total of 438,000 fans turned out in all) as well as nationally televised. Some of the games were even carried, in a delayed broadcast, on KMOX in St. Louis. Joe Garagiola, former Cards catcher and future Today Show stud, even traveled with the team through Japan taping the games to be broadcast later. However, the good international good feelings were not felt by everyone.
Rob Fitts points out that it was during the tour that Yomiuri Giants president Kazue Shinagawa made an important announcement. "Japanese baseball should be played by Japanese players and we have no intention of signing up new foreign players in the future." The Giants had been the first team to really embrace Gaijin and Nisei players in the post-war era, first with Wally Yonamine, then with Andy Miyamoto and Dick Kashiwaeda. Yonamine and Miyamoto made it on to the '58 team, but they were nearing the end of their careers and soon would be replaced by Shinagawa's idea of 'pure' players.
The rest of the league did not follow suit, and more and more foreign players would find success in Japan, with Joe Stanka becoming the second Gaijin MVP for the Hawks in 1964. One of the early Nisai to go across the sea (the 42nd) was Jack Ladra, who landed in the outfield of the all-star team against the Cardinals.
Ladra (left) was born in Hawaii and went to Fresno State before joining the Flyers in 1958. Like many of his fellow Americans, the Japanese fans were impressed with his aggressiveness and speed, and he finished the season in the top 10 in stolen bases, triples and doubles. His steady play in both the infield and outfield helped the Flyers steadily climb through the Pacific League until, in 1962, they edged out the Hawks for the pennant. Though he did not help out too much at the plate, his presence in the outfield no doubt helped the Flyers to their only Japan Series title. He had set a Pacific League record that year for most defensive chances in a game, his glove having proven to be his weapon of choice for the entire season. He led all Pacific League outfielders in putouts and assists. He was tied for the league lead in triples in '64 and ended his career with 32 in only 2307 at bats, the same rate as all time leader Yutaka Fukumoto.
In the outfield only one of the Pacific League stars, Kazuhiro Yamauchi, made it into the Hall of Fame- all the others wallow in in NPB obscurity. Besides Ladra, who had a decent career in Japan, there were Kiyoshi Sekiguchi (One of the most dependable veterans on the powerful Lions team, he batted .276 and hit 16 home runs this season. Slightly weak against curves, he never lets a good one go by. A 10-year veteran of veterans), Shigeo Hasegawa (...today he is one of the heaviest hitters on a heavy hitting nine), and Takao Yato (A former infielder, he was transferred to the outer garden this season with outstanding success, batting .286. Always considered as having infinite promise, he is rapidly rounding into form). But the shining star of that forgotten lot is Shoichi Busujima, the one star from the all-star team that deserves a plaque more than anyone else.
The 1962 Series, that featured both Ladra and Dobashi (who was also MVP of the series), also saw a Game 3 home run by Busujima, who was in the middle of his stellar, almost 20 year career with the Flyers. When he retired in 1971, his 1977 hits (only 23 shy of the magic number of 2000 that would give him entry to the Meikyukai, or Golden Players Club) placed him 6th on the all-time list, only one behind Hall of Famer Tokuji Iida. More importantly, he was the all-time leader in triples- two years earlier he had tied the original Mr. Tiger Masaichi Kaneda for tops on the list, and had passed him by three in 1970.
Though Busujima (above) was eventually passed by stolen base champ Yutaka Fukumoto, he remains second on the triples list with 106. As an outfielder, he was always in the top 5 in putouts and assists, and in '58, though trailing Ladra in most categories, he led all Pacific League outfielders in double plays with 4. To quote the Mainichi in 1958, coming from a famous high school team, he is the outstanding batter of his team, hitting .306 this season. Although not the aggressive type, he is a smart batter able to hit to all fields. An All Star player. Eight times an all-star, that is, with a .381 average in 18 games according to Japan Baseball Daily. Voted to the Best 9 three times, Busujima's career deserves more attention as well as votes towards the Hall.
Of the top five batters in the PL in '58, Busujima was second, Katsuragi third and Kohei Sugiyama fifth. Sugiyama began his career with the Kinnetetsu Pearls, but made his mark with the Hawks. He was a three time all-star in Hankyu, and led the - The traditional Japanese Baseball calendar consists of 130 games, but the Pacific League experimented with a longer schedule during the mid '50s, culminating with a 154 game set in 1956. Sugiyama, one of the few stars to play in every game that season, still owns the record (tied with two others) for games played in a season. He had performed admirably for the Hawks for the first six seasons, hitting .303 with 93 rbi in '56, but in '58 he was the "big hitting star of the Hawks" according to the Mianichi, a medium range batter, noted for his cunning at the plate.
Sugiyama's best seasons were still to come- the greatest of which was 1961, when he finished with a .321 average, a .496 slugging percentage with an OPS of .884. He slugged 15 home runs and led the Hawks to the Japan Series, where he hit one more homer and scattered 5 hits with 3 rbi. Sugiyama was the Mr. October of the Hawks franchise, playing in six different series, with 78 at bats and 20 hits. In fact, after the '61 postseason, he spent two seasons with the Braves (with whom he is pictured at right). During those two Sugiyama-less seasons, the Hawks would finish second in the PL. Upon returning in 1964, he would provide, or provide again, the spark that would lead them to the Series for the next three seasons ('64-'66). Though not the greatest outfielder in the world, Sugiyama held his own each season, occasionally leading the league in double plays and, in 1958, coming in second with a .986 fielding percentage.
During the trip, several of the American pitchers were offered large contracts to stay and pitch in the Japanese league. Phil Paine had pitched a previous stint for the Nishitetsu Lions in '53, where he was one of the first former MLB players to suit up in Japan (his BR page states incorrectly that he was the first, but in a previous post on this blog Leo Kiely was stated as being the first- Kiely's debut for the Orions was on August 8, 1953, according to Japan Baseball Daily, and Paine's was on August 23rd, according to the BR page, making him the second), and had come back to put together a short major and minor league career in the US. 1958 would prove to be Paine's last stint in the show, but he would stick around a few more years in the PCL. He, along with Bill Wight, at the end of a long career himself, declined to stay.
The third Cardinal offered cash to stay was Jim Brosnan, at the beginning of his career as a mildly effective journeyman pitcher. He turned down the offer as well, thinking of his family- it was a good move. His 1959 season would prove excellent fodder for the first real baseball memoir, The Long Season, which laid the groundwork for future controversial 'tell-all's' like Jim Bouton's Ball Four. Brosnan's writing talents were know by the time of his tour of Japan, and he was approached by Bob Creamer of Sports Illustrated to write a series of articles about the goodwill tour. When Bob Broeg of the St. Louis Post Dispatch learned of the agreement, he offered Jim 100 dollars each for a series of articles on the same topic.
He wrote, they published, and the teams continued to play. Coming soon in Part II of "Specializing in Terrific Shoots", more on the Brosnan articles and the stars from the Central League.
Tuesday, March 16, 2010
In those years, when the Giants won the pennant every season except for in '54, Otomo and Bessho were the aces of the staff, each having 30 win seasons, dominating the competition and winning a gaggle of MVP's- Otomo's came in '53, while Bessho earned two, in '52 and '56.
And while Bessho had his no-hitter before the war, it was in 1952 that Takumi Otomo pitched his, contributing to what may have been the best team in the history of baseball in Japan. Kawakami, Aota, Chiba, Yonamine, Hirai, Minamimura, Fujimoto, Nakao, Bessho and Otomo. The Giants led the league in almost every hitting and pitching category, finished three and a half games ahaed of the Tigers in the Central League, and breezed by the Hawks to win the Japan Series. And on July 26 of that year, Otomo no-hit the Robins in the most lopsided no-hitter in the history of Japanese Baseball- a 17 to 0 romp that no doubt showcased the immense hitting talent of the '52 Giants.
From '53-'56, his numbers were astounding:
1953 proved to be Otomo's most glorious season. He was the finest pitcher on the Giants staff, leading them in every pitching category and to the Japan Series, where he won the seventh game and was named 'Outstanding Pitcher'. At season's end he was named to the Best 9 and voted MVP. However, his most outstanding performance came against the NY Giants in a post season exhibition series where he pitched a complete game victory and compiled 15 strike outs in 25 innings. He was so impressive that, according to Rob Fitts, New York tried to acquire him (an attempt that, had it succeeded, would have made Otomo the first Japanese to play in the MLB, ten years before Masonori Murakami). However, Yomiuri demanded too much in return, and the Giant-to-Giant trade never materialized.
He had similar success against the Dodgers in '56, as well as against teams in Mexico, Panama and Colombia during the Giants tour through Latin America (see Wally Yonamine: The Man Who Changed Japanese Baseball for more on that tour).
It was in 1956 that, according to Japan Baseball Daily, he was hit on the thumb by a pitch from Mitsuo Osaki that effectively ended his dominance. From then on, he could not get the right grip on the ball and faded quickly. His last great appearance came in relief at the end of the first game of the 1958 Japan Series, where he picked up the win- however, the scattered innings that followed only cemented his position as being a pitcher past his prime.
He lost a year, and returned in 1960, where he pitched 20 innings with Kinetetsu (managed by [and named after] his former Yomiuri teammate Shigeru "Formidable Buffalo" Chiba) in what appears to be a comeback attempt. But he was unable to muster much in the fifteen games he pitched for the last place Buffalos. He finished his career 130-57, with a 2.11 ERA and a 0.97 WHIP- numbers that make at least some case for a HOF bid that will place him along with his fellow Central League MVP's.
The 1958 Japan Series was a disapointment, for the Giants as well as Otomo, but it signaled the changing of the guard. The star, despite being on the losing team, was the rookie, Shigeo Nagashima- his brilliant play would usher in a new era of greatness in Japanese baseball. But following that series, the greats of the 50's played one last exhibition series against MLB stars. They didn't have the master- Otomo- yet the team fared well. Stay tuned for an analysis of the 1958 St. Louis Cardinals visit to Japan, and some of the forgotten All Stars who played against them...
Saturday, March 6, 2010
In Japan as well as in the US, the Hall of Fame is where baseball's magic and myth is most celebrated and propagated. We are now in full swing of Awards Season: the Hall of Famers have been announced, and now up are the Oscars, about which Federico Fellini said:
"...a vaguely funeral fashion parade, a ceremony in many ways like a carnival, but at the same time a moving and pathetic spectacle, organized with the fullest awareness of what it was and is. Notwithstanding the clamor it excites, it is a private ceremony; it's cinema encountering itself in an attempt to resuscitate the dead, to exorcise wrinkles, old age, illness and death. It has the same fascination as caricature; it is a caricature of the Day of Judgement, the Resurrection of the Flesh. Those like me who accept the mythology of the cinema cannot refuse a prize like the Oscar. To dispute the award seems to me ridiculous and childish. The cinema is also circus, carnival, funfair, a game for acrobats."
Sometime in early 1949, 153 members of the Baseball Writers Association looked over the ballot for the Hall of Fame, flooded with legends: the top vote getter's that year were Charlie Gehringer, Mel Ott, Al Simmons, Dizzy Dean, Jimmy Foxx, Bill Terry, Paul Waner and Hank Greenberg. Not one of them was chosen. The argument is that, with so much talent, none of the writers could focus their votes enough to give any one player more than 75%- and than makes sense.
Now, sometime in 1953, many of those same writers (264 in all) sat down with another ballot, stocked with a similar overflow of talent- this time, however, they were able to agree (or, at least 75% could) on Dizzy Dean and Al Simmons as worthy of immortality. Near the top of the list are many who ended up in the Hall, one of whom is Ted Lyons, a 260-230 pitcher with 1073 strike outs in his career- an understandable player to be passed over several times before induction.
What is very interesting, though, about that 1953 ballot, is that Lyons' 139 votes (52%) were 22 more than were bestowed upon Joe DiMaggio. Joltin' Joe would be passed over one more year before finally earning enough votes (233, or 88%) to be enshrined. Yes, the rules were somewhat different then, and yes, DiMaggio was not the sportswriters' best friend, and yes, many great players were passed over in those early days (and even Cy Young was not voted in the first class). But what is most interesting is that, more so than any of the other players listed above (including Young), DiMaggio has a legendary aura about his name, and is revered today in a light closer to Deity than human. He seems above even the steady path to the Hall of Fame that is so accepted for the other heroes of the game- was he then just as 'average' as those other heroes? Has time created a DiMaggio in our imagination that did not exist then, given how much of a star he was (think of his trip to Japan with Marilyn)? And how much did Joe contribute to the building of his own myth- how much did he care about his place in the Hall?
This is where the mythology has grown and still grows: His seems to follow the same path as the beautification of a martyr, on the way to sainthood. Is he only the legend we revere because of Paul Simon, or because we need to constantly create Gods and Heroes to worship? Is the Hall of Fame, as Fellini said of the Oscars, an attempt to resuscitate the dead? Is it baseball encountering itself?
The Hall of Fame in Japan is cut from the same mold, though the cultural differences only enhance the "caricature". So, why did it take Noboru Aota so long to get in to the Hall- how was his myth built, or how was it broken down? His playing career was Hall of Fame worthy- he was at the top of the heap for almost two decades, and the all-time home run leader at the time of his retirement. We know from his wife that he wanted to be there- it doesn't seem abnormal that he or anyone else would want to be enshrined, deified, in any Hall. It was the time after his retirement, and the myth that built around him in spite of himself, that kept him out of the Hall. There are no sure fire Hall of Famers in Japan- just look at three time triple crown winner Hiromitsu Ochiai, whose 'bad' behavior seems to still resonate with the voters.
Even Hiroshi Oshita (left) was not a shoo-in: arguably the best player of the late 40's and early 50's who nonetheless did not get the 'Call from the Hall' until after his death many years into retirement. But it was Oshita, Takehiko Bessho, and Aota that were the terror of the Ginza, a couple of 'bad boy's' and drinkers when they were together in the 40's: that perception persisted for all three, and though they all retired before 1960, neither Oshita or Bessho would be Hall of Famer's until 1980. For Noboru Aota, an incident that occurred at that same time prolonged his wait even further.
It was in 1959 that Aota played his last game with the Hankyu Braves, the team that had taken him in after WWII. But it was the Whales who had given him a home, and it was the Whales to whom he would eventually return and manage. But first, Aota worked for Hochi Sports as columnist and commentator in 1960 after retiring from the game. It was the beginning of a broadcasting career that would eventually bring him more lasting fame to many Japanese than his playing career.
However, he could not stay away from the field, and soon made his way back into the dugout with the Tigers in 1962. That year Hanshin made it to the Japan Series for the first time, winning their first pennant since the late 40's. In his capacity as hitting coach, Aota did not improve much- the Tigers offense remained consistently poor, ranking at the bottom of the league in runs produced and home runs, similar to the previous year. It was their fantastic pitching, with the lowest ERA and WHIP in the league, that brought them the pennant. Though they lost in the series, HOF'er Yoshio Yoshida was awarded 'best hitter', a feat for a light hitting SS that must be, in part, attributed to Aota's teaching. However, something in his performance persuaded him to move back to broadcasting, and for the next two seasons he was calling games on Nihon TV before getting back into uniform for his post-war bosses Hankyu. Within 3 years he was able to aid Braves hitters enough to put them in the league lead for home runs- feat that would bring them the pennant that year, 1967, the first in a string of winning seasons.
He continued on as a broadcaster on-and-off through the end of the 60's and early 70's until his old team came calling and he joined the Whales as a coach in 1972. It wasn't long until Karao Betto, who had been manager of the Whales since he had replaced Osamu Mihara four years before, was replaced himself with Aota. From late August until the end of the season, Noboru Aota earned his chops in his first managerial gig, though he lost 14 of 17 before seasons end.
1973 was his only full season managing at the pro level, and though he did not finish last (and brought the Whales close to .500, an improvement from the previous year), his year was marred with enough problems to earn him a pink-slip once it was over. His inability to relate to players led to an 'anti-Aota' sentiment on the club, and the animosity may have contributed to the poor record: the Whales were one of the top hitting teams in the league, but their poor pitching cost enough games to place them 5th out of six teams. It's possible that his inability to relate to many of his players led to a breakdown in trust between his pitchers and him- always a symptom of a losing team.
Regardless of the reason, by 1974 Aota was back on the broadcasting circuit, working for TV Asahi for close to the rest of the decade. It wasn't until 1979 that he finally made it back into uniform as head coach with the Giants under Nagashima. After 27 years he was finally back with the team of teams, and seemed determined to make it right. His tenure as head coach coincided with the infamous 'Ido' camp, the tough Fall camp that some say brought the Giants' strength back to championship form.
However, his long awaited return to the Giants would end in scandal only a short time later. Halfway through the 1980 season, Aota gave an interview with the Sunday Mainichi Shinbun in which he mentioned prior associations with nefarious individuals (who are referred to, in some sources, as gangsters). Aota had always been a hard living, hard drinking man, and his association with the underworld is not by any means a stretch of the imagination. However, whether or not he was ever associated with those individuals was beside the point- the fact that he had said anything the found it's way to print as a member of the Giants was sin enough. The affair became known as the 舌禍 incident, or "slip of the tongue" incident: a title that infers the real trouble, which was that he said anything at all. The result was simple- Aota resigned his head coach position mid season, and never put on a uniform again.
Years later, and after his death, various individuals vouched for Aota as having never associated with gamblers or gangsters or underworld tricksters- that, if he was guilty of anything, it was his boasting and getting carried away on the record. Regardless- he was resigned to a place behind the mic from that moment on. Some could claim this as a heart-breaking end to a great career, a hero's tale with a sad ending. Yet, it was as the "pro-Giants" broadcaster that Aota found his way into the hearts and minds of many young Japanese, and possibly cemented a place for himself in the social consciousness.
He enjoyed a satisfying end to a long, 50 year career in baseball, and when he died (a converted Roman Catholic) in 1997, he most likely had at least some delusions about his plaque hanging in the Hall in Tokyo one day. It seems that he had a taste for the carnival aspect of the game, and knew that his contribution to the game only added to the myth and magic of it all. His success as on TV and the radio demonstrates the showman Aota really was, and confirms the fact that his place in the Hall of Fame, though deferred because of perceptions of character, was always reserved for him. Was he trying to resuscitate his own myth, and rebuild his image? Remember, this was the man who was known for tossing grenades farther than anyone else, who took pride in his power.
PS- the title is taken from Kokoyakyu, a film worth seeing about the power of baseball in Japan.
Friday, March 5, 2010
Sunday, February 7, 2010
Saturday, February 6, 2010
Friday, February 5, 2010
Friday, January 29, 2010
The numbers, still, are relatively small, especially before 1950 and the development of the two league system. Since it's inception, the professional league in Japan was less-than-open to foreign players, in part due to the political nature of the time (in 1936, the leagues first year, Japan was in the middle of preparations to invade China and signing pacts with Nazi Germany). Most foreign players in the game were Nisei (second generation Japanese) from Hawaii, or, like Bozo Wakabayashi (the Hall of Fame pitcher, pictured right) and Herb North, world travelers from birth. However there were a few players from the mainland US, most notably Bucky Harris (not the same Mr. Harris who took Washington to it's lone World Series victory in '24- his real name was Harris McGaillard and he was the first foreign professional player in Japan).
After the war and the move to a more complete system consisting of a Central and Pacific League, the amount of foreign players began to increase, beginning with Wally Yonamine, the only American to be honored for his playing with a spot in the Hall of Fame (Bozo, born in Hawaii, had revoked the Japanese part of his dual citizenship in 1928, but then switched during the War and was, from then on, only a citizen of Japan), in 1951. From that point, a steady stream of players began to arrive from Hawaii and the continental US, though they were still mostly Nisei. Below is the list of the first ten, including the first three non-Nisei players from the US:
Wally Yonamine 1951
John Brittian 1952
Jun Hirota 1952
Tomoharu Kai 1952
Dick Kitamura 1952
Katsumi Kojima 1952
Masoto Morita 1952
Jimmy Newberry 1952
Bill Nishita 1952
Marion O'Neil 1952
For more information about Yonamine (whose superstardom paved the way for the rest), Hirota and the other early Nisei, check out the books of Rob Fitts. The second foreign player after the war, Brittian, was also the first star from the Negro Leagues to make his way over to Japan, accompanied by his former Birmingham Black Barons teammate Jimmy Newberry. The fact that former Negro League players, as opposed to former minor or major league talent, were the first to play makes sense: though harboring some 'anti-foreigner' sentiments for decades, the pro leagues in Japan had been open to a variety of nationalities and country-less wanderers since their inception in 1936 (during the height of the Nationalism that would catapult the country into a two-front war). Hall of Famers Wakabayashi and Victor Starffin, as well as Harris and Nisei like Kaizer Tanaka and Den Yamada, had always been a part of the system. With the collapse of the Negro Leagues imminent, and the other pro leagues (slowly) opening their doors to diversity, the 1950's were a golden era for the wayward ballplayer. And, with segregation still strong (especially in spring training facilities well into the sixties), many of these players probably felt more at home in a foreign country.
Britton, or Brittian (as it is sometimes spelled in Japan), was born in April of 1919, and made his way in 1940 to the Negro American League, filling the 3rd base slot for the New Orleans/St. Louis Stars. By 1944 he was sharing the left side of the Birmingham infield with Artie Wilson, leading the Black Barons to a championship that year. Perennially at the top of the standings for the next seven seasons, the Barons fielded such stars such as Ed Steele, Lester Lockett, Lymon Bostock, Sr., Willie Mays, Jimmy Newberry and Piper Davis (who, as manager, made sure to keep the hard drinking Newberry away from the wunderkind Mays). Newberry was the star pitcher of the Birmingham team in their greatest years, and as such garnered the admiration and attention of Black Barons business manager Abe Saperstein. Saperstein is best known as the owner of the Harlem Globetrotters, but he also served as president of the West Coast Negro Baseball Association, and managed the affairs of the Black Barons- he also had connections in Japan.
Thanks to Saperstein, Newberry and Britton came together and joined forces once again on the Hankyu Braves for the 1952 season, after a stopover together with the Winnipeg Buffaloes in the Mandak league of Western Canadian Baseball (Japanese Baseball and Canada had been linked for decades already, going back to college tours and of course the first pro tour's arrival in Saskatoon). One rumor persists that the pair were on loan from the St. Louis Brown, with whom Saperstein had a relationship as well. For the Braves Britton hit .316 (fifth in the league) with 5 triples, and Newberry went 11-10 with 100 strikeouts (second in the league), helping the Braves to a fifth place finish, just a few steps out of the gutter. Look here (scroll about three quarters of the way down) to see a great photo of the two with their Hankyu manager Shinji Hamazaki.
The following season Newberry went back to Canada, but Britton stuck around for another year of Braves baseball. He wasn't left alone, however- he was joined by a few more Americans- once again former Negro League players Rufus Gaines (though there is little evidence he did actually play with the Elite Giants) and Larry Raines, another product of Abe Saperstien's extended reach.
Born in 1930, by the time he was twenty Raines was playing for the Chicago American Giants in the Negro American League, manning the shortstop position and helping out Satchel Paige during his stay between Major League tours. It was the twilight of the Negro Leagues, and the CAG were not the same as the team Rube Foster put together a quarter century before- they finished last in the league, but Raines stayed for one more season before making the trip to Japan, most likely riding on the success of Newberry and Britton.
It was in Nishinomiya with the Braves that Larry became a star. In his first season in the Pacific league, he hit .286 while leading the league in at bats, runs scored and stolen bases (he had 61). What was most impressive, though, was his ability to combine power with that speed- his 16 triples not only led the league, but beat out his nearest competitor by nearly twice the amount. He came close to breaking Masayasu Kaneda's two year old NPB record of 18, and still holds the record in the Pacific League.
His fielding, however, was not his strong point- for instance, in '54 he was next to last in fielding percentage and one of the leaders in errors. These contributions helped the Braves move out of the cellar and into second place, closer to the top than they had been since 1949. However, his accomplishments at the plate the next season made 1953 look tame.
In '54, Larry won the batting crown with a .337 clip, beating out MVP Hiroshi Oshita by .016 points. Add to that the league lead in doubles, hits and at bats, and one could make the case that HE should have been the MVP. Yet, he also scored 96 runs (10 more than his nearest competitor), swiped 45 bases and drove in 96 runs, good enough for second overall. His .535 slugging percentage was behind only Futushi Nakanishi. This was enough to earn him his second trip to the All-Star game (it was in '52 that Britton had been the first foreign All-Star) and, more importantly, the shortstop spot on the Best 9 team- making him one of the first two non-Nisei to be so honored (Charlie Lewis earned the catching spot that same season).
The success he earned in Japan prompted Raines, once again with the assistance of Saperstein, make the journey back to the States, where he struggled for a bit before once again finding success at shortstop with Indionapolis of the American Association. He again led the league in triples (as well as stolen bases) and earned a tryout (along with a young Roger Maris) with the Indians in 1957- not before honing his skills with Almendares in the Cuban Winter league, where he hit 4 triples in only a hundred or so at-bats.
Though he impressed Cleveland enough to earn a spot at short and third (and even a garnering a Sporting News All-Rookie spot at third), but his lackluster glove work and less than stellar bat (though he did hit the ball well and scored 39 runs in only 266 PA's) caused him to lose his job to Minnie Minoso the following season.
He once again found fire in the minors, first in the Puerto Rican Winter league, then improving his glove work and hitting a respectable .303 with San Diego in the PCL, where he might have run into Larry Doby, who had played with the Padres the previous season. Doby would be traveling to Japan to play for the Dragons with Don Newcombe the next season. Whatever the circumstances, Raines found himself back in Japan to start the '62 season, back with the Braves, while Doby and Newcombe were with Chunichi in the Central League. It's possible that, revived by his stint in the PCL, (where, according to Larry Moffi and Jonathan Kronstadt, he learned to throw harder and shorten the time it took to get the ball to first), Raines thought he could capitalize on his previous Japanese success. He only played in 73 games but drove in 27 runs, splitting infield duties with Chico Barbon, also nearing the end of his long career.
Japan Baseball Daily mentions a possible problem with alcohol, a problem that can account for his diminishing skills as well as his early death. He finished his career with at least 265 stolen bases through the various leagues he appeared in, an impressive mark that may never had been appreciated once he was back in the states, without fame in Lansing. He was buried in Mount Hope Cemetery in Lansing, and few other records indicate how he lived out those final years.
Before the end of the 50's, another 36 men from the continental US, Cuba and Hawaii would play in Japan and set a precedent for all Gaijin (Japanese term for foreigner) to come:
Billy Wyatt 1952 11
Tsutomu Yaji 1952 12
Rufus Gaines 1953 13
Charlie Hood 1953 14
Fumi Kashiwaeda 1953 15
Len Kasparovitch 1953 16
Leo Kiely 1953 17
Al Long 1953 18
Ben Mitsuyoshi 1953 19
Phil Paine 1953 20
Larry Raines 1953 21
Mitsuru Watanabe 1953 22
Larry Yogi 1953 23
Harvey Zenimura 1953 24
Howard Zenimura 1953 25
Jim Doole 1954 26
Charlie Lewis 1954 27
Mitsuo Matsuoka 1954 28
Jimmy McCabe 1954 29
Sal Recca 1954 30
Chico Barbon 1955 31
Don Bussan 1955 32
Fibber Hirayama 1955 33
Andy Miyamoto 1955 34
Bill Pinckard 1955 35
Alvin Spearman 1955 36
Noboru Fujishige 1956 37
Dick Pariene (or Parente) 1956 38
Stan Hashimoto 1957 39
Allen Yamamoto 1957 40
Carlton/Haruo Hanta/Handa 1958 41
Jack Ladra 1958 42
Bob Alexander 1959 43
Ron Bottler 1959 44
Glenn Mickens 1959 45
John Sardinha 1959 46
15 of the players are Nisei, and a few more were players looking for a home just like Raines, Newberry and Britton. Al Spearman was another former Negro American League player who also played in the Mandak league and was also, apparently, a gold glove boxer. Same as Rufus Gaines, who came over to the Braves with Raines- he pitched brilliantly for Hankyu, going 14-9 with 142 strikeouts. However, little else on his baseball career exists.
Some made the best of their time in Japan- Marion O'Neil (one of the first 10) and Billy Wyatt were stationed in Japan with the US military and ended up playing for the Lions, at the peak of their dominance. Many others, like Charlie Hood, were in Japan b/c of military reasons, and others, like Harvard educated Jim Doole, in Hawaii. And Leo Kiely became the first former Major Leaguer to play in Japan, pitching, and winning, six games in 1953 after pitching for Boston in '51 before being drafted and arriving in Asia courtesy of Uncle Sam.
Even Glenn Mickens, a former UCLA star and Brooklyn prospect, mastered the shuuto and was a two time All-Star.
The Giants had a monopoly on the first wave of Nisei to make their way to the NPB, but some made their mark elsewhere. Howard and Harvey Zenimura were the sons of Kinichi Zenimura, a giant in Japanese American baseball, who was instrumental in, among other things, the continuation of baseball in the internment camps into which most Japanese Americans were forced during WWII. Zenimura also helped to get Fibber Hirayama to Japan, where he became one of the greatest bespectacled players of the 50's, and one of the most celebrated Carp players of all time.
Barbon was born, according to Japan Baseball Daily, in Matanza, Cuba, and began his career in Western Canada with the Florida Cubans and Indian Head Rockets(though some sources put him in one of the Negro Leagues, and the Rockets had been the Jacksonville [FL] Eagles of the Negro American League before moving to Canada, well before Chico was in the picture; others also place him in the outfield of the Matanzas team, and then with the Havana Cubans in 1953 as Humberto Barbon). It was once again through the efforts of Abe Saperstien that Barbon was introduced to Hankyu management, and he made his way to Japan in 1955.
By that time, Raines had left the Braves, and the only remaining American was Al Spearman- though anyone in the crowd may have seen two Americans. However, that season Barbon became the first Cuban-born athlete to play professional baseball in Japan, and he immediately became a star. His 49 stolen bases led the team, and with 105 runs scored, he was the only one in both the Pacific and Central leagues to score over 100. In addition, he led the Pacific league in at bats, hits and triples. On top of all of that, he was, by far, the best second baseman around: his .975 fielding percentage in '55 was tops, and his totals in every other category were first or second in the league. His performance, though, was not enough to earn either an All-Star selection or a place on the Best9.
Barbon would not have to worry about unrecognized glory- he would go on to play 1228 games for the Braves over the next ten years, and another 125 for the Buffaloes in one final season. Though he was recognized only once (in 1958) for his play at second with a spot on the Best 9, his impact was felt all around the league. In his first four seasons, during which he played his best ball, the Braves never went below .500 and finished at the top of the heap every season. And he would finish with the top four base thieves in every year between 1955 and 1961, leading the league from '58-'60: his 308 lifetime thefts are still good for 24th on the all time list.
Yet he was only an All-Star once in 1959, and finished his career with only one Best 9- it must have been his consistently low average. He was a run scorer, a league leader, and a great fielding second baseman- for instance, in 1958 he had almost twice as many putouts, assists and double plays turned than any other second baseman. It was not a fluke- he did it every year. But his play was never enough to help the hapless Braves to a pennant, despite their two stellar pitchers: Testuya Yoneda and Takao Kajimoto. But his dedication and consistancy laid the foundation for the Braves Pacific League dynasty of the late 60's and 70's.
After sharing the infield with Raines in 1962, Chico spent only two more seasons with Hankyu. His final season was spent with last place Kinetetsu, scoring 50 runs and imparting some of his fielding and base stealing knowledge with all of the young players on the team. Then, unlike a lot of his contemporaries, he decided that his career was over, and that the place which had accepted him so openly as a fresh faced Cuban (a face that would have brought him adversity had he gone to find stardom in the States) was his real home. Of course, his birthplace was in the midst of a revolution, a fact that may have persuaded him that he had no choice. Whatever the reason, he continued the association with Hankyu fostered a decade before by Abe Saperstein, and worked (according to Japan Baseball Daily) as an interpreter for the Braves. He married, settled down and remains there to this day.
Tuesday, January 12, 2010
Sunday, January 3, 2010
Next week the vote for the Hall of Fame class of 2010 will be announced, and the competition is fierce. A number of sure-bet first-rounders (see above, who, nevertheless, did not make it in during their first year) are back, along with some first time entries and players/coaches/managers in the experts group.
The 300 electors in the Players division, 50 electors in the Experts division, and 14 electors of the Special Selection Committee have their choice of a number of stellar players to choose from- too many, almost. From the player group, Ochiai, Akiyama, Hara, Boomer Wells, Kitabeppu, and Arai have our endorsement as players who, if not voted in this year, will eventually (or should eventually) make it into the Hall. Those on the fringes from that group all played in an era that falls outside of the scope of this blog.
In the expert group, only Minagawa and Dobashi began their careers in an era that falls in the outer limits of our scope- Minagawa joins Eto, Tabuchi and Shibata as four who (like the players above) should make it in with no argument. That leaves Masayuki Dobashi (1956-1967) as the player to argue for- the player who, along with Takeshi Doigaki (1940-1957) and Isamu Fujii (1936-1958) (two players who are unfortunately not on the ballot), will be officially endorsed by this blog.
To start with, the argument for Doigaki (right) was made in the previous post on catchers and miracles- his performance in the post war era brought him the first 6 best nine awards ever awarded, and his handling of multiple all-star pitching staff's is a testament to his defensive ability. He even made both the One-League Era All-Decade team as well as the 1950's All Decade team in Jim Albright's rating system. A more detailed analysis of his defensive prowess will be covered soon in an upcoming post.
Masayuki Dobashi is listed in the Experts division as the manager of the 1993 Nippon Ham Fighters- his final post as a manager that included a stint in 1973 with the same team, and three years in the mid-eighties as manager of the Swallows. Overall, it was an unproductive tenure. He finished with a winning percentage below .500 and never placed above 5th. The one bright spot was when he nurtured a young Satoshi Niimi ( in '73 when the Fighters were still the Flyers), who would come in third in the strikeout race that year and was voted Rookie of the Year. One reason for that rookie's success could have been the expertise Dobashi brought in terms of pitching- for seven years in the late 50's and early 60's, he was one of the best pitchers in baseball, and for that reason he should be in the Hall of Fame.
Because he played second fiddle to Kazuhisa Inao in the Pacific League for most of his career, his lack of awards overshadow numbers that justify his enshrinement in the Hall. His career WHIP of 1.06 comes close to Inao's (0.99), and compares to other HOF'ers of the era (Fujita- 1.13; Fujimoto-1.01; Sugishita-1.08). During those seven years mentioned above, he won 20 or more games 5 times, including a 30 win season in '61 (in which he also struck out 298- numbers, however, overshadowed by Inao's 42 wins and 353 K's).
With the addition of Shigeru Mizuhara (who replaced fellow HOFer Yoshiyuki Iwamoto as manager of the Flyers in 1961), Dobashi's stellar pitching finally began to contribute to winning teams, and Toei won the pennant in '62, despite his "off" record of 17-14. He made up for it in the Series against the Tigers, getting shut out in game 2, but winning his final two appearances. It was a wild Series, going the full 7 games, four of which went into extra innings, including games 5 and 7. Dobashi (left) won both, dueling 11 innings with Masaaki Koyama in game 5 before going 12 in the final and deciding contest against Minoru Murayama (who pitched in at least 4 of the contests, including games 6 and 7), winning the game 2-1, and the Series. Though HOF'er Isao Harimoto won Outstanding Technique, and HOF'er Yoshio Yoshida Fighting Spirit, it was Dobashi who (along with fellow Flyer Masayuki Tanemo) was named MVP of the Series.
He finished his career 162-135 with 1562 strike outs, and his 2.659 ERA put him in the top 13 all time at the time of his retirement. His 1961 season is one of the top 25 of all time in terms of wins and strike outs, and he is still tied with Takao Kajimoto as the only two pitchers to strike out 9 consecutive batters.
While Dobashi is on the ballot this year, not included is Isamu Fujii, one of the original Tigers who was on the roster for their first game in the Spring tournament of '36. In the April of 1950, 14 years after that first spring, Fujii suited up for the expansion Whales alongside Masato Monzen, who played at his side with the Tigers in '36. Soon, they would share a record, set by Monzen in 1937 and tied in '51 by Fujii, for the most doubles in a game with four. Isamu Fujii would finish his career with 254, among the career leaders at his retirement, even though he played half of his career during a shortened-season & war-torn era.
Most of his numbers are distorted by that fact- up until 1949, though missing 5 seasons (spread over two tours of duty) due to war, Fujii had still put together some decent numbers, including one very important number- 1. As in, the first home run in Japanese Professional Baseball History, which he slammed (according to Japan Baseball Daily, inside the park) on May 4, 1936. When he put on the Whales uniform in 1950, he put behind him some decent post-war seasons in which he would occasionally come in third in doubles, or in the top 10 in hits- one would expect that his age and trials would prevent him from taking advantage of the thinned pitching and the surge in hitting stats that season. However, with the Whales in '50 he put together a 34/122/.327 line, with a .597 slugging percentage aided by 36 doubles and 68 walks- his 122 rbi performance is still one of the top thirteen seasons ever. Having slammed the first homer in history, Fujii was still in the top 10 all-time of home run hitters at the end of that 1950 season, despite having missed the '39, '40, '41, '43 and '44 seasons. He ended his career with 146, which left him at #10 on the all time list, and, add to that more walks than strikeouts combined with a .423 lifetime slugging percentage, and you have a valuable run creator who played for 22 years.
As an outfielder, Fujii (right) was sound- take his 1950 season. While he had an average amount of assists for an outfielder that season, he committed the fewest errors of all the outfielders on the team, with a total that was down with the lowest in the league. However, first an foremost, Fujii scored runs- he was the leading run scorer in the first three short seasons of pro ball in Japan, and, one would guess, could have continued if he hadn't gone to Mongolia in 1939. It was, in that statistically-challenged era, the dominance needed by any HOF candidate. His career total of 689 is the result of a rate of a run scored every 2.1 games, similar to Kawakami's rate of 1 run every 1.9 games, and Oshita's 1 in 2.0- and Oshita finished with 763 runs, just behind Fujimura's (who also started his career in the spring of '36) 871 runs.
And though his productivity never again matched the levels he reached in 1950, he continued to contribute to the Whales, tieing for 8th in the league in runs scored in '52, and coming in the top ten in most offensive categories- his 15 home runs in '53 were tied for 5th in the league and led the Whales. That 1953 season he was joined on the Whales (or Robins, at that point) by Noboru Aota, and for the next two seasons they led their lackluster team in offense as Aota was by far the come back player of the year in '54.
At the end of the 1958 season, 22 years after his debut (as well as the debut of professional baseball in Japan) Fujio finished his career with a .275 batting average and 1482 hits- another decieving stat, in that of all the players to finish their career before 1960, only Tetsuharu Kawakami finished with over 2000.
These could be the longshots, but their credentials are strong, and one can only hope to see them up on the wall with Ochiai and the rest of them.